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Zoom b3n patches download -
By Al Krow , May 3, in Effects. Then there are a LOT of great individual effects available which are common across both multi fx pedals. For editing purposes on your PC either the free Zoom editing software or that provided by ToneLib - Zoom are both really useful.
The MSB was ground breaking when it was released in and was the first multi-fx I ever bought. Here's a little comparison of how the B builds on its older siblings capabilities:. I've had three MSBs come and go over the years. But for me the B is without doubt the better and much more usable piece of kit, and is happily sitting at the heart of my small pedal board now. B X Effects These can be accessed via the ToneLib software - go to an empty patch and top right click on "Import the patch data from a file".
Please note that unfortunately the patches are model specific e. If you have any B patches you would like to share then please post and I'll also upload them here not sure I can access your BX or B3N patches to physically upload here - but I can certainly provide a link to your post, for ease of reference.
AnalogCho [AK-Mod]. Glam Comp [AK-Comp]. Presence [AK-Mod]. First one up-loaded to get the ball rolling. I've gone for Shelf mode, cut off at 40Hz just below the open E cut. I've also found that adding the Zoom Noise Reduction effect ZNR typically at the end of the chain is great with dealing with 'noisy' patches particularly some of the drive effects.
Makes use of two ZTron effects next to each other one providing a down sweep and the other an up sweep. Sounds great through headphones but has quite a kick through my amp and cab and may require a little 'taming'!
The answer probably already exists but buried in the hpf thread somewhere - remind why you use shelf instead of hpf? Useful if you're only using to get rid of low end 'crud' Edit: but based on our discussion below the HPF mode would seem to be better option for this.
The Hpf effect on the B14 is I belive acting at dB per octave so in your case it will start cutting at 60Hz, by 30 Hz, one octave below, it will be reducing volume by 12dB and by 15 Hz by 24 dB etc.
Useful if you're looking to 'tighten things up' at the low end. In your case you are cutting some of the fundamental notes on the B string which are already not going to be particularly easy to hear, given the combination of our hearing range attenuation and speaker frequency response which for most cabs will also be seeing some fall off in ability deliver low end.
The low B is 31 Hz so you will be cutting the fundamental on that by approx 12dB. Not sure whether this was the intention? Tbf it's what a lot of sound engineers do and most of what we hear is at the first fundamental of the B string and above, anyway, which is 60Hz and not being touched by your HPF.
I guess it's for the same reason that 4 string players might set their HPFs to start cutting at 80Hz i. Ah yes, I was going with the "twice the fundamental" rule of thumb. I haven't actually got the Low EQ effect installed yet - computer issues - but once I do I was thinking of having one hpf at 60Hz and a second at 30Hz. John - thanks. Having looked at the likely impact of both online your diagram seems pretty spot on!
I had thought that the shelf EQ would provide a steeper and deeper cut at the relevant frequency, but that appears mistaken. In which case I will amend my switch settings to be HPF rather than Shelf on all my patches fortunately just a 3 minute job using ToneLib!
I shall be trying out the HPF in front of my patches too. Any thoughts on putting the HPF at the end of the chain to cut out an low frequencies created by the effects? The Free Bman is actually JohnDaBass 's contribution rather than mine credit where it's due and all that!
A lot effects end up cutting some of the bass frequencies rather than adding to them which is why clean blend is such a "thing". The key concern for me would be some of the filter and synth effects - and it's not going to be low frequencies that are the main issue there particularly if you have already stripped these with an HPF at the start of your chain but signal spikes. If you want to protect your cabs against unwanted signal spikes then a limiter sim is what you need at the end of the patches.
You may, of course, want to use two HPFs in the chain to have an effective twin HPF set-up in the way jrixn1 described above - but that would be a general approach rather than specifically to deal with low frequencies created by effects.
If you look at my board pic on the B thread , I effectively do have two HPFs in my signal chain: the Thumpinator right at the start and the HPF which is in all my patches including "clean" on my B1X But personally I'd be relaxed about having just one HPF on my B3n or B1X-4, particularly if it's taking up patch space for something that could be more useful or fun e.
Al Krow - thanks for this thread - I've had fun trying out some of your settings- esp the Glam comp. You're very welcome! Are you finding the Glam comp as good as I've been spouting on about it? When it came out there were a load of folk on talkbass saying how it was "it" - I could never get it dialled in in a way that didn't sound utterly OTT though. Do you not think that someone should make a digital multi-fx with metering of some kind Al Krow , please would you share your "Gain" setting on your Low Eq?
JohnDaBass with pleasure. My B1X-4 is actually in my gig bag with my drummer who took a whole bunch of stuff for us following our last gig as I had to stay behind with PA and get an Uber! But in the meantime worth noting that I have not set volume and gain in a particularly scientific manner - just balanced volume and gain so that the overall volume effect is neutral compared to by-pass. Have fun!
You can post now and register later. If you have an account, sign in now to post with your account. Restore formatting. Only 75 emoji are allowed. Display as a link instead. Clear editor. Upload or insert images from URL. Why become a member? Share More sharing options Followers Reply to this topic Start new topic. Recommended Posts. Al Krow Posted May 3, Posted May 3, edited. If you have very recently got one of these or the X rated version! Here's a little comparison of how the B builds on its older siblings capabilities: Advs of B significantly easier to use interface.
The MSB used to do my head in before the advent of patch editing software; but the ToneLib PC editing software is free, easy to use and makes creating and editing patches a doddle on all Zoom pedals and has levelled the playing field on that score. Advs of the MSB half the footprint greater range of effects patches bomb proof metal case I've had three MSBs come and go over the years.
B patches A. Other FX P. Link to comment Share on other sites More sharing options Slapback short delay Edited May 11, by Al Krow. Al Krow Posted May 10, Posted May 10, edited. First one up-loaded to get the ball rolling - short 70 ms delay - bit of reverb added via the HD Hall Great for something like Donna Summer "I feel love". Edited May 11, by Al Krow. Al Krow Posted May 11, Posted May 11, edited. Edited November 1, by Al Krow. Posted May 11, I thought shelf reduces by a fixed amount, whereas the hpf will keep on reducing.
If you'll excuse the lame diagram Al Krow Posted May 12, Posted May 12, Posted May 12, edited. Edited May 12, by Al Krow. JohnDaBass Posted May 17, Posted May 17, edited. Al Krow Posted May 18, Posted May 18, edited. Nice simple octaver setting for thickening up your sound without being overpowering.
Edited May 18, by Al Krow. MoJo Posted May 19, Posted May 19, Al Krow Posted May 19, Posted May 19, edited.
Zoom B3n | ToneLib Community Forum
Zoom b3n patches download. Guitar effect patches for the zoom B3
The Zoom B3n lets you create your own original sound, no matter the kind of music you play. This bass pedal has countless amp, cabinet, and stompbox effects that you can use on stage or in the studio. Plus, its editing features are simple enough that you can tweak your sound even when you're on the road.
The B3n is pre-loaded with 67 high-quality stompbox DSP effects, including 19 dynamics and filter effects, 15 overdrive and distortion effects, 17 modulation effects, 11 delay and reverb effects and more. NOTE: Manufacturer names and product names are trademarks or registered trademarks of their respective owners.
The names are used only to illustrate sonic characteristics and do not indicate any affiliation with the Zoom Corporation or Zoom North America. Chain up to seven effects, amps, and cabinets together simultaneously in any order you like to experiment with and create new sounds. You can also store up to of your custom effects chains as patches. Its three independent LCD screens display your entire effects chain at a glance, and its tactile knobs and switches give you effortless control over adding, editing, deleting, or changing the order of effects.
Thanks to its 68 built-in rhythm patterns, the B3n is great for both practice and solo performances. With the onboard looper, you can record and overdub phrases up to 80 seconds long, creating textured layers of sounds using the effects of your choice.
The looper, rhythm patterns, and delay effects can all be synchronized using a tap tempo function. And a built-in chromatic tuner lets you bypass the currently selected patch while tuning, or mute the signal altogether.
Guitar Lab 3. For user convenience, the new Clipboard function memorizes up to four effects with custom parameters, so you can copy and paste them onto other patches. Finally, the NEWS section contains newly added effects and patches, as well as demo sounds, all available for download directly from the app. Bass Multi-Effects Processors. Facebook YouTube Twitter Instagram. Change language Help Center. Close Menu. Change language. Products Handy Recorder.
Field Recorders. Podcast Recorders. Video Recorders. Audio Interfaces. Vocal Processors. Accessibility Statement. Help Center. Intuitive Multi-Effects Processor for Bassists The Zoom B3n lets you create your own original sound, no matter the kind of music you play.
Create Custom Effects Chains Chain up to seven effects, amps, and cabinets together simultaneously in any order you like to experiment with and create new sounds.
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